Pure 80’s goodness - The Canon AF35ML…

Canon AF35ML

What a gorgeous little chunky boy this is! The AF35ML was introduced in 1981 and famed for it’s 40mm f1.9 lens which trumped the competition for low light photography. It is a solid feeling, surprisingly small compact point & shoot that fits well in the hand thanks to the good sized grip. With automatic exposure range of 1/4s f1.9 to 1/400th f18 it should be good for most situations, and ISO settings of 25-1000 makes it very versatile.

This very nice condition example was bought at a camera fair, and unlike most of my purchases, a good chunk of cash was paid! Having 35 year old electronics inside, it was essential to fully test before buying, rather than taking a punt on an “untested” one on eBay.

The first thing you notice when shooting is the very unsubtle shutter sound, it is like a sledge hammer dropped on a tiled floor! You certainly know when you have taken the shot, this is quickly followed by the 100db winding motor advancing to the next frame! For this reason I didn’t feel particularly comfortable shooting on the streets, unless there was a bus driving past!

Canon AF35ML - Kodak Gold 200

Loaded with Kodak Gold I spent a very hot day wandering the streets looking for compositions - there were a few I simply couldn’t take due to the volume of the camera. One advantage of the 40mm lens is you look as though you are taking a shot up the street, but you can included elements like these two scooters. I do feel like the scooters should have been sharper though as I would expect the auto exposure to be around the top end of speed and a smaller aperture for the 200 speed film. I guess there is a downside to autofocus as well, choosing somewhere in the centre rather than where you would have done it!

Canon AF35ML - Kodak Gold 200

Another example of the autofocus disagreeing with me, and choosing the spot in the distance rather than the subject. The field of view on point & shoots takes a bit of getting used to when you generally use an SLR with a 50mm lens, and although the AF35ML has a 40mm lens, it does still seem quite wide at times. I wonder if there are any fixed lens compacts with a slightly longer lens?

I have to say the images at wider apertures are not that sharp when compared to results from other similar cameras, one example was a shot taken under an arch of trees that is not even usable. I guess you learn the characteristics of a camera the more you use it.

Canon AF35ML - Kodak Gold 200

Looking through the scans, there are quite a few I can see where I lacked the confidence to take the shot and opted to wait for the subjects to walk past for fear of being scowled at! This is one such scene - there was an old couple walking past, but I knew the Canon would be loud in this quiet side street, so didn’t shoot. If I had the Olympus XA2, I would defiantly have got the shot, and the one with the woman dressed in full pink passing a beam of light cast on the pavement, but I did not get that one either.

Maybe if I was in a busier noisier city rather than a quiet town centre things would be different.

Canon AF35ML - Kodak Gold 200

This shot symbolises the cities around where I live - Bristol in particular has a large amount of people living in vans like this as they simply cannot afford to buy a house. There could well have been someone living in this one.

If you are wondering whether I shot the colourful houses in the background - the answer is yes, but with the Rolleiflex SL26 and expired colour film.

I have to say, I really enjoyed this Canon AF35ML, it’s not all about image quality (which is fine for Kodak Gold), but more about how the camera feels. I wasn’t sure whether to keep it, but now I’ve used it - it is staying with me, not as a daily carry, but for special occasions. For street photography I will still use the Olmypus XA2 and mju II as they are awesome, but for slower pace quieter places the Canon can shine.

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